Trade Union banners have their origin in the early 19th century. They were the results of the efforts of newly formed unions, workers and friendly societies to declare their role in society and to build a sense of unity. Many hundreds of banners were made in England, often by companies and artists who specialised in this type of work. By the 1880's and 1890's many Australian unions had followed suit and commissioned banners.

These banners are but one example of the significant involvement of unions in the development of Australian culture. Unfortunately many of the hundreds of union banners which once existed have been lost, destroyed or deteriorated past usage. Recently however, several of the 19th century Australian banners have been restored and photos of others exist which demonstrate the traditions. Made by skilled artists, the banners were usually painting on canvas, linen or silk - although some examples of applique, weaving and embroidery techniques also exist.

The banners usually depicted the concerns of the workers, their union and the nature of their work, all rendered in the artistic style of the period. For these reasons they are significant indicators of our cultural heritage. In the late 19th century and early 20th century and early 20th century, Labor Day and May Day Processions featured as many as 40 individual banners. These beautifully made and highly decorative constructions demonstrated a pride in work, in craft skills, in unity and identity. The rediscovery and restoration of these banners has led to a revaluing of them both as art and as symbols of labour culture. Furthermore, it has led to the commissioning of may new banners such as those featured in the exhibition.